Manual The Cultural Life of Catastrophes and Crises

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A Estética do Trauma – 11 de Setembro

This genuine multidisciplinarity, which combines historical, politological, social, philosophical, linguistic, cultural, and ethnological research, effectively sets this project apart from the human and social sciences of other Finnish universities. The Department of History and Ethnology is recognized for its accomplishments in the research it has conducted on the global processes of change, the comparative and transnational histories of societies, early modern Finland, ethnography, political cultures and discourse, as well as economic history.

The Department of Social Sciences and Philosophy is internationally renowned for its expertise on the history of political ideas and concepts, the history of philosophy, the philosophy of mind, phenomenology, as well as political theory.

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The Department of Music, Art and Culture Studies is a multi- and cross-disciplinary teaching and research unit. The department hosts e. Crisis is a central concept of modernity. The digital history of concepts, based on big data analytics, demonstrates that, historically, the concept has had a wide range of meanings and connotations.

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Despite being, by definition, abnormal states or states of emergency, crises seem to have become embedded into the routine condition of life. They appear to be constantly present in the contemporary world, and their presence has even become characteristic of it.

  2. Interval Mathematics: Proceedings of the International Symposium Karlsruhe, West Germany, May 20–24, 1975.
  3. Crisis management;
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  5. The root causes for crises vary from ecological to man-made, geo political, and socio-economic ones, and their consequences often appear as more or less unpredictable and unstable. Accordingly, the very definition of crisis is in itself complex and problematic. Thus, the leading objective of our research, within the profiling area, is to understand various, competing definitions of crisis; how crises come about and how they evolve; how they are defined and understood; and how they relate to global, national, and local physical environments, as well as human and collective action.

    Our project will concentrate especially on the historical and societal changes that precede, concur with, and result from crises, while simultaneously exploring the relevance of the historical continuity that comes to play both in and after crises. Crises are concrete and real states of affairs. However, they are also subjectively experienced and discursively constructed, and can sometimes be purposefully created and maintained.

    Disaster collectivism: How communities rise together to respond to crises

    The empirical, the experienced, and the discursive levels of the concept will all be taken into account in our research. The complexity of the topic will be tackled by drawing on the existing empirical, theoretical, and methodological expertise of our researchers in art, culture, ethnology, history, politics, social sciences, and philosophy. The first focus area introduces the level of individual actors; the second area the level of collective political action; and the third area the level of institutions.

    These focus areas bring together the interdependent cultural, social, political, societal and macro-structural dimensions of crises into the research. The research in each focus area is penetrated by the investigation of the causes and effects of crises, their discursivity and material reality, their historical continuity and contemporariness, as well as the stability of socio-cultural macro-structures in relation to their states in crises.

    Diana Gonçalves

    Research on all these areas is conducted collaboratively between the three participating departments. One of the most fundamental effects of political, economic, cultural, environmental, and humanitarian crises is the displacement of people. Research in this profiling area emphasizes crises of belonging as triggering forces of broader social, political, and societal crises.

    The innovativeness of our research lies in our approach, in which we apply the theories of belonging as the explanatory framework for the emergence of crises.

    Locating the Quotidian in Catastrophes and Crises — The Review Journal

    The research focuses particularly on emotional attachments and the affective sense of belonging, as well as on their role in the politics of belonging, i. Drawing from many disciplines within the study of culture, the volume groups essays according to the categories of understanding, remembering, imagining, and desiring catastrophes and crises. A wide range of historical events, medial forms, and cultural artifacts enter into the discussion, which makes the book best suited to those seeking an expansive overview of and insight into the diversity of the latest cultural-studies work on the subject.

    One does not need to be a scholar of the study of culture to immediately understand what Eliassen means, given the many forms of lived and impending catastrophes and crisis — financial, security and privacy-related, nuclear, environmental — that saturate daily life. It is, therefore, no wonder that the field of cultural studies is also saturated by work related to these subjects. This volume, nonetheless, makes a unique contribution by inquiring how catastrophes and crises are culturally produced, diagnosed and perpetuated. They have assembled a diverse set of essays, casting a wide net in terms of disciplinary perspectives, cultural objects of study, geographical places and historical times.

    This provides readers with an expansive introduction to the range of work being done in the field, not to mention the myriad ways in which catastrophes and crises impact — and are impacted by — cultures across space and time. The thesis driving all contributions to the volume is that catastrophic events, defined as sudden occurrences, and crises, defined as sustained predicaments, must be understood in terms of their cultural life.

    They are to be considered in terms of the way they are prefigured by cultural motifs and scripts, how they are interpreted once they occur, and what kinds of cultural representation they subsequently engender. Contributors cover disciplines ranging from sociological disaster studies through to narratology and media studies. They introduce numerous cultural artifacts and medial forms, from documentary film, photography and sound art through to literary fiction. The volume thus analyzes catastrophes and crises according to their cognitive and cultural mediation.

    The cultural life of catastrophes and crises

    Isak Winkel Holm offers an overview of concepts central to disaster studies, and includes a typology of cultural forms of disaster. Already in , Voltaire produced a work in which the trauma of catastrophe is not its suddenness but rather its ubiquity. While he and others introduce interesting theoretical frameworks, one is often left desiring more analysis and argumentation. Further elaboration of the intriguing arguments and examples presented would have strengthened many essays and the volume as a whole.